Markets & Justice

Markets & Justice
Freely operating markets yield a just outcome?

White Australia Has A Black History

White Australia Has A Black History
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Monday, 23 November 2015

EUREKA DAY - THURSDAY 3 DECEMBER 2015 : CELEBRATON OF HUMANITY AT ST PAUL'S, BAKERY HILL, BALLARAT

Father Constantine Osuchukwu is pleased to welcome you
to a very different celebration of Eureka
- at St Paul's we are celebrating humanity:
the international people of Ballarat 161 years ago
and the multicultural city that Ballarat is to-day.
There will be music, poetry, spirituality - and supper.

Monday, 26 October 2015

Remembering Francis and all of creation - The Canticle of the Sun and Laudato si' - Brother Sun and Sister Moon - Part 1


From Church of the Working Class
For Joanna...
CANTICLE OF THE SUN - Saint Francis of Assisi, O.F.M. (1224)
Most high, all powerful, all good Lord!All...
Posted by Church of the Working Class on Saturday, 24 October 2015
 ~~~~~~~

Sunday, 11 January 2015

Another Sabbath reflection

No matter which holy or rest day is kept
this website, with its rich content, is worthy of reflection.
Plumwood Mountain is under the Managing Editorship of Anney Elvey.

Sunday, 28 September 2014

A Sabbath thinking piece - #1

One of my favourite internet sites is brain pickings. It is compiled by the wonderful Maria Popova.  The site is full of stuff which reflects its title.  I wanted to include it for the readers of Advocacy as a thinking piece, a reflective interlude. And to introduce you to a site which is part of the treasure trove of good things to be found on the 'net!
Mary Oliver (b. September 10, 1935) is among the most beloved and most prolific poets of the past century — a devoted craftswoman of exquisite poems and a sage of the secrets of the craft itself.
In this recording from a 2001 event held by the Lannan Foundation — the same reading that gave us Oliver on the magic of punctuation — the beloved writer reads the poem that would go on to become one of her most celebrated and lend its title to her 2004 volume Wild Geese: Selected Poems (public library). Oliver’s work speaks so deeply and with such courageous honesty to some of our most profound human perplexities, struggles, and exaltations that it is read everywhere from commencement addresses to yoga classes, endlessly replicated on the social web and borrowed for those formulaic chapter-opening quotations in pop-psychology and self-help books. And yet despite the vast exposure, something singular, something mesmeric and immutably moving happens as Oliver swirls the intricate thought-things of her poem in her own mouth — to say nothing of the impossibly charming George Eliot anecdote with which she prefaces the reading:
WILD GEESE
You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.
Wild Geese: Selected Poems is a soul-stretching read in its entirety. Complement it with Oliver’s deeply endearing Dog Songs, one of the best books of 2013.

Monday, 1 September 2014

The aged person: an overlooked life or a valuable contribution?

When an old man died in the geriatric ward of a nursing home in an Australian country town, it was believed that he had nothing left of any value.
Later, when the nurses were going through his meager possessions, They found this poem. Its quality and content so impressed the staff that copies were made and distributed to every nurse in the hospital.
One nurse took her copy to Melbourne. The old man's sole bequest to posterity has since appeared in the Christmas editions of magazines around the country and appearing in mags for Mental Health. A slide presentation has also been made based on his simple, but eloquent, poem.
And this old man, with nothing left to give to the world, is now the author of this 'anonymous' poem winging across the Internet.
Cranky Old Man
What do you see nurses? . . .. . .What do you see?
What are you thinking .. . when you're looking at me?
A cranky old man, . . . . . .not very wise,
Uncertain of habit .. . . . . . . .. with faraway eyes?
Who dribbles his food .. . ... . . and makes no reply.
When you say in a loud voice . .'I do wish you'd try!'
Who seems not to notice . . .the things that you do.
And forever is losing . . . . . .. . . A sock or shoe?
Who, resisting or not . . . ... lets you do as you will,
With bathing and feeding . . . .The long day to fill?
Is that what you're thinking?. .Is that what you see?
Then open your eyes, nurse .you're not looking at me.
I'll tell you who I am . . . . .. As I sit here so still,
As I do at your bidding, .. . . . as I eat at your will.
I'm a small child of Ten . .with a father and mother,
Brothers and sisters .. . . .. . who love one another
A young boy of Sixteen . . . .. with wings on his feet
Dreaming that soon now . . .. . . a lover he'll meet.
A groom soon at Twenty . . . ..my heart gives a leap.
Remembering, the vows .. .. .that I promised to keep.
At Twenty-Five, now . . . . .I have young of my own.
Who need me to guide . . . And a secure happy home.
A man of Thirty . .. . . . . My young now grown fast,
Bound to each other . . .. With ties that should last.
At Forty, my young sons .. .have grown and are gone,
But my woman is beside me . . to see I don't mourn.
At Fifty, once more, .. ...Babies play 'round my knee,
Again, we know children . . . . My loved one and me.
Dark days are upon me . . . . My wife is now dead.
I look at the future ... . . . . I shudder with dread.
For my young are all rearing .. . . young of their own.
And I think of the years . . . And the love that I've known.
I'm now an old man . . . . . . .. and nature is cruel.
It's jest to make old age . . . . . . . look like a fool.
The body, it crumbles .. .. . grace and vigor, depart.
There is now a stone . . . where I once had a heart.
But inside this old carcass . A young man still dwells,
And now and again . . . . . my battered heart swells
I remember the joys . . . . .. . I remember the pain.
And I'm loving and living . . . . . . . life over again.
I think of the years, all too few . . .. gone too fast.
And accept the stark fact . . . that nothing can last.
So open your eyes, people .. . . . .. . . open and see.
Not a cranky old man .
Look closer . . . . see .. .. . .. .... . ME!!
Remember this poem when you next meet an older person who you might brush aside without looking at the young soul within. We will all, one day, be there, too!
PLEASE SHARE THIS POEM (originally by Phyllis McCormack; adapted by Dave Griffith)
The best and most beautiful things of this world can't be seen or touched. They must be felt by the heart!